NICOLE PHILIBOSIAN has sung with distinction
in opera houses and symphony halls throughout the United States,
Europe, and Asia, featuring England’s Bournemouth Symphony,
the Barbican in London, l'Opéra de Nice, France, Gloria
Opera in Seoul, Korea, New York City Opera, Seattle, San Francisco,
Houston, Dallas, Atlanta, Santa Fe, Portland, Hawaii, Rochester,
Grand Rapids, Chamber Opera Theatre of New York and the American
Symphony Orchestra of New York. She has appeared as soloist
with such distinguished conductors as Gerard Schwarz, Andrew
Litton, Valery Gergiev, David Zinman, Yoel Levi, Eve Queler,
Jorge Mester, David Effron, Hal France, Timothy Russell, Arthur
Fagan, and Richard Westenburg
Educated at Eastman and Juilliard, the Colorado native first
came to national prominence when she won the International Khachaturian
Competition, and the Joy in Singing award which led to her New
York recital debut in Lincoln Center's Alice Tully Hall. Her
widely varied operatic repertoire includes such roles as Salome,
Aida, Madama Butterfly, Suor Angelica, the Marschallin, Rusalka,
Donna Anna, the Countess and Fiordiligi; Mimi, Liu, Antonia,
Rosalinda, Juliette, Pamina, La Calisto, and Renata in Prokofiev's
Fiery Angel, which she learned on short notice for the San Francisco
Opera.
Miss Philibosian is equally at home on recital and concert
stages, spanning the repertoire from Lieder and chansons to
the pinnacles of the Verdi and Brahms Requiems, Mahler's Second
and Eighth Symphonies, Strauss' Four Last Songs, Beethoven's
Ninth Symphony, Handel's Messiah, Mozart's Requiem and C Minor
Mass, Bach's St. John Passion, and Mass in B Minor, Poulenc
Gloria and La Dame de Monte Carlo. Miss Philibosian stunned
audiences when with 24 hours' notice she sang Verdi's Requiem
with conductor Yoel Levi and the Atlanta Symphony.
Nicole Philibosian regularly appears in concert on the University
and Conservatory stages where she performs master classes, including
the Eastman School of Music, University of Michigan, Arizona
State University, University of Richmond, DePauw University,
and the University of Southern Colorado, and in private voice
studios throughout the United States. She collaborates regularly
with pianist Donna Brunsma, former Assistant Conductor of the
Lyric Opera of Chicago. She and her husband, tenor Ron Gentry,
on the voice faculty at the Interlochen Arts Academy for two
decades, co-founded Chantez Productions International, a year-round
training program for students and teachers of singing in Traverse
City, Michigan, now in its tenth season. |